
- Pro Tools|HD3 - Control Surface - |

Control|24™, is the latest collaboration between Focusrite® and Digidesign. A control surface engineered by Focusrite and built especially for Pro Tools, Control|24 shatters everything in terms of quality and performance. Control|24 is an ergonomic control surface and analog front-end for TDM-equipped Pro Tools systems. Designed to enhance the speed of working with Pro Tools, Control|24 transforms even the most complex sequence of functions into a series of intuitive movements.- 24 touch-sensitive, motorized faders
- Hands-on access to and control of Pro Tools recording, routing, mixing, and editing parameters
- 16 Focusrite Class A mic/line preamps
- Comprehensive Control Room section capable of up to 5.1 surround monitoring
- Illuminated switches for Mute, Solo, Record Arm, Channel Selects, and Automation Mode on every channel
- Dedicated EQ and Dynamics switches on every channel
- 26 scribble strips provided for system feedback
- High-resolution LED display for transport location at a glance
- Integrated submixer with 8 stereo inputs
- Touch-Sensitive automation of plug-in parameters using faders via Plug-In Flip Mode
- Connects to Pro Tools systems via high-speed Ethernet
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- Pro Tools|HD3 Accel - Digital Audio Workstation - |

It supports up to 96 channels of I/O and guarantees support for up to 192 simultaneous audio tracks with no stress on the computer. Of the three Pro Tools|HD Core systems, the HD3 configuration offers the most power and flexibility, enabling you to complete projects more quickly and efficiently than ever before.SoftwareInterfaces- Digidesign 96 I/O
- Digidesign 96i I/O
Pro Tools|HD — Pure Sound, Pure Flexibility, Pure CreationThe most comprehensive system of its kind, Pro Tools|HD offers audio professionals superb quality and efficiency through one intuitive, integrated production environment. This high-definition system embodies the latest Digidesign innovations, incorporating cutting-edge technology to deliver unprecedented sonic fidelity and price/performance. Featuring dramatic DSP power, sweeping sample rate support, brand new high-resolution audio interfaces and peripheral options, abundant track count and I/O capacity, extensive routing flexibility and much more, Pro Tools|HD gives you control over your audio world like never before.
Plug In's
- Digidesign - Bombfactory - BF76
- Digidesign - Bombfactory - Clip Remover
- Digidesign - Bombfactory - Correlation Meter
- Digidesign - Bombfactory - Funk Logic Mastererizer
- Digidesign - Bombfactory - Meter Bridge
- Digidesign - Bombfactory - Noise Meter
- Digidesign - Bombfactory - Tuner
- Digidesign - DigiRack - Chorus
- Digidesign - DigiRack - Click
- Digidesign - DigiRack - DigiReWire
- Digidesign - DigiRack - Dither
- Digidesign - DigiRack - D-Verb-AS
- Digidesign - DigiRack - D-Verb™
- Digidesign - DigiRack - Dynamics II
- Digidesign - DigiRack - EQ II
- Digidesign - DigiRack - EQ III
- Digidesign - DigiRack - Flanger
- Digidesign - DigiRack - Invert/Duplicate
- Digidesign - DigiRack - Mod Delay II
- Digidesign - DigiRack - Multi-Tap Delay
- Digidesign - DigiRack - Normalize-Gain Change
- Digidesign - DigiRack - Ping-Pong Delay
- Digidesign - DigiRack - Pitch
- Digidesign - DigiRack - Reverse-DC Removal
- Digidesign - DigiRack - Signal Generator
- Digidesign - DigiRack - Stereo Mixer
- Digidesign - DigiRack - Surround Mixer
- Digidesign - DigiRack - Time Comp-Exp-Pitch Shift
- Digidesign - DigiRack - TimeAdjuster
- Digidesign - DigiRack - Trim
- Access Virus Indigo
- Amp Farm 3
- Auto-Tune 5
- BNR LE
- Bomb Factory BF-3A
- Bruno/Reso
- Cosmonaut Voice
- D-Fi
- Digidesign - DINR - [Digidesign Intelligent Noise Reduction Plug-in]
- Fairchild 660
- Fairchild 670
- Focusrite d2/d3
- Digidesign A.I.R. - Hybrid - [High-Definition Synthesizer for Pro Tools]
For those sound buffs who love to get their hands dirty, Hybrid is a high-definition software synthesizer plug-in that combines the warmth of classic analog waveforms with digital wavetables, enabling you to recreate sounds you remember or create something that no one’s heard before. It features a full range of analog and digital sounds, plus a deep set of user-adjustable parameters for your tweaking pleasure, empowering you to create richly complex and unique sounds in the studio or on stage. - Impact
- JOEMEEK SC2 Compressor
- JOEMEEK VC5 Meequalizer
- Maxim
- Digidesign - Moogerfooger 12-Stage Phaser - [TDM]
The Moogerfooger 12-Stage Phaser combines a switchable 6- or 12-stage phaser with a wide-ranging, variable LFO. Start with subtle tremolo or radical modulation effects, then crank the distortion and resonant filters for unbelievable new sounds — all with the signature classic Moog sound. - Digidesign - Moogerfooger Analog Delay - [TDM]
The Moogerfooger Analog Delay is simply the coolest (and warmest!) delay in the digital domain. Due to component shortages, fewer than 1,000 of Bob Moog's "real-world" version will be made. Bomb Factory snagged serial #1 and, as always, meticulously modeled every detail of the classic analog design. Wait until you hear it! - Moogerfooger Lowpass Filter
- Digidesign - Moogerfooger Ring Modulator - [TDM]
The Moogerfooger Ring Modulator's wide-range carrier oscillator and dual waveform LFO mean motion on rhythm tracks and radical low-fidelity textures. - Pultec EQH-2
- Pultec EQP-1A
- Pultec MEQ-5
- Purple Audio MC77
- Reverb One
- Digidesign ReVibe - [Room Modeling Reverb]
ReVibe is a powerful room-modeling TDM plug-in exclusively designed to take advantage of the supercharged processing capabilities of HD Accel PCI cards. The 96 kHz optimized ReVibe provides nine reverb algorithms combined with hundreds of room reflection models. With its intuitive user interface and detailed controls, ReVibe handles nearly any reverberation task with ease. ReVibe supports up to 5.x Pro Tools multichannel formats, and includes independent reverb, early reflection, and level controls for the rear channels. Rear-channel reverb controls may also be used in mono or stereo instances, providing more presence and density to the reverb character. ReVibe’s ability to accurately represent a room’s sound or ambience enables it to offer highly-detailed models of a number of real spaces as well as springs and plates — making it a perfect complement to Reverb One’s classic digital reverb sound. - SansAmp PSA-1
- Smack!
- Smack! LE
- SoundReplacer
- Synchronic
- Tel-Ray Variable Delay
- TL Aggro
- TL EveryPhase
- TL InTune
- TL MasterMeter
- TL Metro
- TL Space TDM
- Voce Chorus/Vibrato
- Voce Spin
- Digidesign A.I.R. - Xpand! - [Sample-Playback/Synthesis Workstation for Pro Tools]
Built for songwriters, film composers, DJs, electronic musicians, music producers, and sound designers, Xpand! is a sample-playback/synthesis plug-in that provides fast ways to access and manipulate thousands of high-quality sounds from within Pro Tools. With its 1,000+ presets, multi-synthesis engine, sample playback, virtual tonewheels, and effects processing capabilities, Xpand! is a sonic powerhouse that enables you to craft anything from pristine-sounding acoustic instruments to complex synthesized soundscapes or loop-driven techno tracks. Additional Plug-in's available on Nick Hemingway Sessions - Aphex Aural Exciter and Big Bottom Pro Bundle - [TDM]
Since its introduction in 1975, the patented Aphex Aural Exciter has been used on thousands of hit albums, commercials, films, concerts, installed sound systems, and broadcast stations. Big Bottom works on bass frequencies and adds low-end presence and punch without increasing peak level. This allows you to pack more bass into your mix without overloading amps and recorders or blowing up speakers. - Celemony - Melodyne Plug-In - [Vocal Pitch Correction, Intonation and Timing Editing]
Melodyne plugin offers Melodyne‘s unique functions for the editing of pitch and timing as a plug-in directly integrated into Pro Tools. The main application area of Melodyne plugin is the intuitive correction of the pitch and timing of notes in vocal recordings—a demanding task that Melodyne software handles excellently and in a highly musical fashion for which it has been acclaimed the world over. With Melodyne plugin you can also edit and optimize single-voice instrument recordings as well as drum and percussion tracks in an extraordinarily flexible manner. - Digidesign - DigiTranslator 2.0
DigiTranslator 2.0 delivers reliable, accurate conversion and exchange of OMF, AAF, and MXF audio files, video files, and sequences directly through the Pro Tools application. With DigiTranslator 2.0, the complex process of file interchange is made simple and dependable. Developed in collaboration with working post production audio engineers, DigiTranslator 2.0 is packed with sophisticated conversion options. It allows translation of Avid volume data, a choice between rendered audio effects or untreated sources, options for media copying and consolidation, and export of MXF audio files. - Digidesign - Princeton Plate Reverb - [TDM]
- Digidesign - TL Drum Rehab
- Digidesign A.I.R. - Structure - [Professional sampler workstation for Pro Tools]
Developed by the acclaimed Digidesign® Advanced Instrument Research (A.I.R.) group and optimized exclusively for Pro Tools®, Structure™ is a powerful RTAS® virtual instrument that redefines the art of sampling, allowing you to freely create, sculpt, and refine everything from simple acoustic instruments to highly complex soundscapes with amazing ease — in real time. Structure comes with an extensive library of high-quality sounds from A.I.R. and EastWest, welcomes the use of your own sample libraries, and lets you create your own samples directly from your Pro Tools sessions via drag-and-drop. It also features an impressive universal sound engine with support for an unlimited number of nestable patches, optimally manages sample streaming along with Pro Tools playback, and includes a powerful multi-effects processing engine. Whether you’re a musician, sound designer, audio engineer, or post-production editor, Structure offers superior playability and performance. - Massey - CT4 (Full) - [Compressor - TDM]
The CT4 provides clean and smooth gain reduction, with a little punch. Steven Massey designed the CT4 to have both electro-optical and vari-mu characteristics. Users have noted that the CT4 is very good at preserving the "air" of the source material. - Massey - L2007 (Full) - [Mastering Limiter - TDM]
The L2007 is a mastering-grade look-ahead brickwall limiter. As the result of endless hours of research & development into limiter algorithms, I think you'll find that the L2007 sounds as good as(many would say much better than) anything else out there! - Massey - Tapehead (Full) - [Saturation/Distortion - TDM]
Add a little saturation to your mix. Make your drums fuller & louder. Add some grit to vocals. - Massey - TD5 (Full) - [Analog Tape Delay - TDM]
Simply put, the TD5 sounds and acts like a real-life vintage tape delay. Deep, thick, gritty, and three dimensional. The TD5 has up to 2 seconds of delay time, can sync to the Pro Tools tempo map, and provides a number of tonal options. - Massey - THC (Full) - [Distortion Stompbox - TDM]
THC is a highly accurate analog-modeled distortion pedal. THC delivers true analog-like sonic quality. THC can be used to dirty up any audio material -- try it on vocals, organ, drums, and, of course, guitar. - Massey - VT3:(Full) - [3-Band EQ - TDM]
The vt3 is a 3-band equalizer with a crisp, unique sound. The vt3 is also extremely DSP efficient. A Pro Tools HD DSP can run up to 34 mono channels. HD Accel can run a whopping 78 channels per DSP. - Synchro Arts - VocALign - Project for Pro Tools
- Waves - Gold - AudioTrack - [TDM]
AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plug-in. With equalization, gating, and compression, it’s ideal for multimedia, voiceovers, project studios, and more.v - Waves - Gold - C1 - [TDM]
With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility. - Waves - Gold - C4 - [TDM]
The ultimate multiband dynamics processor, the C4 does it all: 4-bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from our acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency. - Waves - Gold - DeEsser - [TDM]
When it comes to reducing excess sibilance (“ess” and “shh” sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high frequency limiting, DeEsser delivers smooth and natural output with minimum fuss. - Waves - Gold - Doppler - [TDM]
Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With Doppler, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy. - Waves - Gold - Doubler - [TDM]
When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes. - Waves - Gold - Enigma - [TDM]
Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures. - Waves - Gold - IR-L - [TDM]
When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. - Waves - Gold - L1 Ultramaximizer - [TDM]
The plug-in that started it all: Look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch. - Waves - Gold - MaxxBass - [TDM]
When you need to seriously pump up your lows, choose MaxxBass®, the bass enhancement technology used on more hit records and major motion pictures than any other. MaxxBass® uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies. For bass you can really feel, it’s got to be MaxxBass®. - Waves - Gold - MetaFlanger - [TDM]
There’s never been anything quite like the sound of great vintage tape flanging and phaser emulation - until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond. - Waves - Gold - MondoMod - [TDM]
MondoMod utilizes an exclusive combination of linked AM, FM and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent. - Waves - Gold - Paz Psychoacoustic Analyzer - [TDM]
Amazingly accurate and a breeze to use, the PAZ analyzer generates a comprehensive realtime visual representation of your audio’s stereo positioning, frequency spread, and Peak/RMS levels. - Waves - Gold - PS22 - [TDM]
Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for Mono-to-Stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes. - Waves - Gold - Q10 Paragraphic Equalizer - [TDM]
The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme. - Waves - Gold - Renaissance Axx - [TDM]
Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping. - Waves - Gold - Renaissance Compressor - [TDM]
Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™. - Waves - Gold - Renaissance EQ - [TDM]
Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound. - Waves - Gold - Renaissance Reverb - [TDM]
With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture. - Waves - Gold - S1 - [TDM]
Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation. - Waves - Gold - SuperTap - [TDM]
Inspired by the legacy of the classic analog tape delays, SuperTap’s extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove. - Waves - Gold - TrueVerb - [TDM]
Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces. - Waves - Gold - UltraPitch - [TDM]
When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more. - Waves - Gold - Waves Tune LT - [TDM]
The singer has just wrapped up an amazing take. The phrasing, the emotion, the delivery, it’s all there. But there are notes you’d like to change, and others that need to be fixed. You need perfect pitch transformation. You need precision realtime editing capabilities. You need Waves Tune. With full ReWire support, formant correction, and an extensive palette of pitch shaping tools, Waves Tune lets you do all your editing right there within your DAW environment - no need to export sections or work offline. Better sounding and more flexible than any other pitch correction processor, Waves Tune will get your vocals back on track. - Waves - L3-16 Multimaximizer - [TDM]
Presenting the newest member of Waves’ acclaimed L-Series: the L3-16 Multimaximizer, a 16 band peak limiter delivering unparalleled loudness with unprecedented control. Powered by Waves patented PLMixer™ Peak Limiting Mixer technology, the L3-16 maximizes your sound with pinpoint precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you’ll stand out from the crowd, loud and clear. - Waves - L3-LL Multimaximizer - [TDM]
Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL’s PLMixer™ Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5 band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear. - Waves - L3-LL Ultramaximizer - [TDM]
The L3 Ultramaximizer is a special edition of the L3 which is included with Diamond and Platinum bundles covered by Waves Update Plan as well as included with L3 Multimaximizers purchased separately. It delivers the same great sound as the L3 Multimaximizer using an intuitive, streamlined interface. - Waves - Renaissance Vox
A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization. - Waves SSL 4000 - SSL E-Channel - [TDM]
Meticulously modeled plug-in based on the legendary SSL 4000 Series. The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console’s all-discrete design and its Class A, VCA chip. It’s a slice of the world’s greatest hitmaking machine, in your studio. - Waves SSL 4000 - SSL G-Equalizer - [TDM]
This four-band equalizer, modeled on the SSL G Series EQ292, offers greater gain change than the E-Series EQ, and a slightly different curve. The SSL G-Equalizer includes a pre-boost dip and a pre-cut rise, as well as a broader Q for more extreme equalization. That’s why many leading engineers use the E-Channel’s equalization for detailed problem-solving and mixing, and the G-Equalizer to shape and give character to the sound. - Waves SSL 4000 - SSL G-Master Buss Compressor - [TDM]
Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original’s IC input and twin VCA gain-reduction amplifier design.
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Apogee ROSETTA 800 24bit/192kHz AD/DA Converter |

Apogee’s Legendary Conversion in High-Definition is now available on all sessions booked with Nick Hemingway.
The most crucial process in the digital recording environment is high-quality analog to digital conversion and the most trusted and desirable converters are made by Apogee. With up to 192k standard sample rates, the ROSETTA 800 combines Apogee’s legendary conversion quality with flexibility that complements any digital audio workstation.
Another essential for outstanding digital recording is maintaining an ultra-low-jitter clock signal. To accomplish this, ROSETTA 800 utilizes Apogee’s Intelliclock. Intelliclock is really two clocks in one. A fast-responding ´read´ clock, with a wide locking range, fills a dedicated FIFO buffer, while an ultra-low-jitter ´write´ clock writes the data out of the buffer, and is used to clock the converters.
SoftLimit: Maximize Levels, Minimize Overs:- One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. With Apogee’s SoftLimit, you can maximize digital output levels without overs
UV22HR: Dither Down with 24-bit Detail:- UV22HR is Apogee´s industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the Internet and CD mastering. UV22HR is also being employed to produce dramatically improved Internet and computer audio content without increased file sizes or data rates.
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Chill-Out Room |

Philia Studios gained the addition of a purpose built Chill-Out Room in 2005. Featuring: Lounge Seating, TV, Games Consul, WIFI, Microwave, Tea & Coffee making facilities with kitchenette (hot & cold running water). Adjoining the Chill-out room is a W/C with washing facility.
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DAW Computer |

- Intel Quadzilla Q6600
- 4GB Ram
- 200GB Sata Seagate Hard Drive
- ADI PYRO PCI 64 (AVID) Firewire Card
- 4U Rack Case
- Multiple Firewire Audio Drives
- 2 x 19" TFT Widescreen Flat Display Panels
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Guitar Amplification & Pedals |

Marshall 30th Anniversary (1962-1992) Amplifier Head - Model 6100
Marshall: JMP-1 - Tube Preamp
Peavey Triple XXX - The ULTIMATE tone machine. As hot as the name implies, the XXX® rips. An amp not for the faint of heart, 120 watts, utilizes four 12AX7 preamp tubes and four 6L6GC power amp tubes. - (with Nick Hemingway booking)
Mesa/Boogie V-Twin Tube Preamp - MESA distortion, Nuff said... - (with Nick Hemingway booking)
Rocktron Zombie Rectified Distortion Pedal - With a monstrously heavy sound, the Zombie creates a rectified asymmetric distortion with user control of the symmetry balance of the distortion output waveform. - (with Nick Hemingway booking)
Peterson StroboStomp 2 - The most accurate tuner money can buy, also with 100% true bypass. - (with Nick Hemingway booking)
Tone Jam FX Stealth Black Sniper GE-7 - (with Nick Hemingway booking)
Radial Tonebone Switchbone - [AB-Y switcher with Exclusive Drag™ control pickup load correction] - (with Nick Hemingway booking)
Ibanez TS-808 Tube Screamer + Carbon Composition Resistors Brown Mod, More/Less Drive Mod & More Bass Mod - (with Nick Hemingway booking)
Radial X-Amp - [Active Re-Amplifier] - (with Nick Hemingway booking)
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Headphones |

BEYER DT100’S (X6)
AIWA PHONES (X3)
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Keyboard |

KORG M1
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Microphones |

2 x AKG 414 ULS
2 x AKG D112
2 x AKG C451B
2 x AUDIO TECHNICA 4033A
2 x AUDIO TECHNICA M10
7 x SHURE SM57 (X7)
5 x SHURE SM58 (X5)
1 x SONY F660
1 x Rode NT2000 - (with Nick Hemingway booking)
2 x Rode NT5's - (with Nick Hemingway booking)
1 x Sennheiser MD421 II - (with Nick Hemingway booking)
1 x Shure Beta 52A - (with Nick Hemingway booking)
1 x Shure Beta 57A - (with Nick Hemingway booking)
3 x Shure SM 57 - (with Nick Hemingway booking)
1 x Shure SM 58 - (with Nick Hemingway booking)
1 x Neumann M149 - (with Dave Chang booking)
2 x Neumann KM 185 - (with Dave Chang booking)
AR116 D I BOX
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Monitoring |

GENELEC 1031 A
YAMAHA NS10’s
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Outboard |

- API 3124+ - [Discrete 4 Channel Mic/Line Pre, plus DI]
- TUBE-TECH LCA-2B - [Stereo Tube Compressor]
- Lexicon PCM81 - [Multi-Fx Processor]
- Neve/AMEK 9098 - [EQ & Mic Pre By Neve]
- Drawmer 201 - [Noisegate]
- Drawmer Dl221 Dualcompressor / Limiter
- Alesis 3630 - [Compressor] (X2)
- DBX Dual Channel Compressor Gate (X2)
- Focusrite Voicemaster Platinum Pre Amp
- Focusrite Tone Factory Platinum Pre Amp
- Yamaha Rev 500 - [Reverb]
- Boss RV 1000 - [Reverb]
- Lexicon Alix - [Reverb FX]
- Art SGX 2000 - [Multi FX]
- Zoom 9050 - [Multi FX]
- Alesis D4 - [Drum Module]
- Marshall JMPL - [Pre Amp & Valvestate Amp]
- AKAI S3000 Xl - [Sampler Inc.Filter Board + 32mb Ram]
- Digidesign 96 I/O - [Pro Tools|HD3 A/D - D/A - Interface]
- Digidesign 96i I/O - [Pro Tools|HD3 A/D - D/A - Interface]
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Speaker Cabs |

Rivera K412T – 4 x 12 Straight Cab*
K412B’s are ruggedly built with Finland birch plywood for a tight sound & years of studio use, and are fitted with 4 x Celestion G12 Vintage 30 (16-ohm ) speakers.
Celestion Vintage 30’s are pretty much considered to be the definitive Heavy Metal /Hardcore speaker, used by more artists on more top end metal recordings than anything else by far…
Marshall 1960B – 4 x 12 Straight Cab*
The JCM1960B is made of 15mm birch plywood (except for the back panel, which is medium density fiberboard) and built for tone, projection, and durability and are fitted with 4 x Celestion G12T-75 [White Back] (16-ohm ) speakers.
*A straight cab sounds more focused and has more low-end thump. The additional size gives the cabinet a lower resonant frequency for more low-end. All speakers facing the same direction gives a more focused sound.
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